W.P. Weston, Mount Cheam
W.P. Weston, Mount Cheam

colour linocut on paper, 
from the Feckless Collection

W.P. Weston, Fisherman's Bay, 1929
W.P. Weston, Fisherman's Bay, 1929

lino block print on paper, 
from the Feckless Collection

W. P. Weston, Winter, Grouse Mountain, 1929
W. P. Weston, Winter, Grouse Mountain, 1929

lino block print on paper, 
from the Feckless Collection

W. P. Weston, Two Totems, 1930
W. P. Weston, Two Totems, 1930

silkscreen on paper, 
from the Feckless Collection

Teachers' Manual of Drawing 1932 W.P. Weston
Teachers' Manual of Drawing 1932 W.P. Weston

Weston co-authored an instructional drawing manual for teachers with Charles H. Scott and S.P. Judge that was published in 1924 as The Teacher’s Manual of Drawing and Design. A Teacher’s Manual of Drawing would be published in 1932 under Weston’s sole authorship. Both of these volumes would become standard text in Manitoba and British Columbia, and Weston would also work to revise curriculum for the British Columbia Department of Education.

from Teachers' Manual of Drawing, 1932 WP Weston
from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

from Teachers' Manual of Drawing, 1932 WP Weston
from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

from Teachers' Manual of Drawing, 1932 WP Weston
from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

from Teachers' Manual of Drawing, 1932 WP Weston
from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

W.P. Weston, Mount Cheam
W.P. Weston, Fisherman's Bay, 1929
W. P. Weston, Winter, Grouse Mountain, 1929
W. P. Weston, Two Totems, 1930
Teachers' Manual of Drawing 1932 W.P. Weston
from Teachers' Manual of Drawing, 1932 WP Weston
from Teachers' Manual of Drawing, 1932 WP Weston
from Teachers' Manual of Drawing, 1932 WP Weston
from Teachers' Manual of Drawing, 1932 WP Weston
W.P. Weston, Mount Cheam

colour linocut on paper, 
from the Feckless Collection

W.P. Weston, Fisherman's Bay, 1929

lino block print on paper, 
from the Feckless Collection

W. P. Weston, Winter, Grouse Mountain, 1929

lino block print on paper, 
from the Feckless Collection

W. P. Weston, Two Totems, 1930

silkscreen on paper, 
from the Feckless Collection

Teachers' Manual of Drawing 1932 W.P. Weston

Weston co-authored an instructional drawing manual for teachers with Charles H. Scott and S.P. Judge that was published in 1924 as The Teacher’s Manual of Drawing and Design. A Teacher’s Manual of Drawing would be published in 1932 under Weston’s sole authorship. Both of these volumes would become standard text in Manitoba and British Columbia, and Weston would also work to revise curriculum for the British Columbia Department of Education.

from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

from Teachers' Manual of Drawing, 1932 WP Weston

WP Weston strongly believed that drawing was the foundation for all art training. His energy filled works are characterized by his masterful attention to line, pattern, balance and movement, and focus on mountains, trees, cloud patterns and the action of wind and weather on the landscape.

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